Despite these
derived from precise (for many mathematical aspects) harmonic rules, it is not in this lesson we will learn that the construction of the agreements and the various notions about the intervals. The purpose of this space will be that of offering a basic approach to the agreements and begin to strum something satisfactory. 
First, to play well is a good idea to keep your fingers to "hammer". This is because often, in the execution of agreements, the first few times it happens to touch the strings that are below the one we're playing, producing a sound dirty, or stopped. Having said that we begin, once melted a bit 'fingers with some exercise approach to the keyboard ( vd. previous lesson), to perform the round DO:
1. See the video-lesson First, to play well is a good idea to keep your fingers to "hammer". This is because often, in the execution of agreements, the first few times it happens to touch the strings that are below the one we're playing, producing a sound dirty, or stopped. Having said that we begin, once melted a bit 'fingers with some exercise approach to the keyboard ( vd. previous lesson), to perform the round DO: 2. See diagram on the lesson transcript
Now that there is all the material you need is to start making lots and lots of practice. Once, the measures taken by these four agreements, visible to others and to store them will be much easier and faster.
notation that you see on the right ( the diagram) is undoubtedly the most used online simply to transcribe the agreements, which is why, once imparatone operation, we can begin to look at the rest the view! Take a look here
and here. You will notice that some agreements have a horizontal bar that covers horizontally across the keyboard, this is called in slang "bar". This basic technique, not at all easy and the black sheep of many guitarists, is to push more strings simultaneously (in our case, all six). The bar not only is essential to many agreements that can not otherwise be played, but it is the best way to transport arrangements across the keyboard. I mean the assumption that playing all the open strings we get a certain combination of notes, it is equally true that shifting forward our position initial raise of semitones x (x represents how many keys we move) the previous combination. It 'difficult to understand in words and much simpler than it sounds, so for a visual comparison to reference video Massimo Varini on the task bar. For a list of other agreements, both with and without bars refer to this page or here.
and here. You will notice that some agreements have a horizontal bar that covers horizontally across the keyboard, this is called in slang "bar". This basic technique, not at all easy and the black sheep of many guitarists, is to push more strings simultaneously (in our case, all six). The bar not only is essential to many agreements that can not otherwise be played, but it is the best way to transport arrangements across the keyboard. I mean the assumption that playing all the open strings we get a certain combination of notes, it is equally true that shifting forward our position initial raise of semitones x (x represents how many keys we move) the previous combination. It 'difficult to understand in words and much simpler than it sounds, so for a visual comparison to reference video Massimo Varini on the task bar. For a list of other agreements, both with and without bars refer to this page or here.
for Study them well, melt and let the hand be a bit 'calluses and then ... download a song book, for example this, and started to get some 'confidence with your guitar. Until next time!
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